See the previous week's performances.  September 18-September 25, 2012 See the next week's performances.

See the previous week's performances. September, 2012 See the next week's performances.
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* Cover is given where known

* There is a one-drink
minimum per set
* Reservations for shows downstairs can only be made by phone:


Paintings by EDWARD CHING

All art is for sale. Please inquire

Sep 18
Colette Inez and Barbara Truncellito: A Poetry Reading image

Colette will be reading from her new collection, Horseplay as well as from her other work.

Barbara will be reading from In Tribes of Running Rain as well as from her other work.

$8.00 includes a drink

Angelica Sanchez, piano;  Ellery Eskelin , tenor sax;  Harris Eisenstadt, drums
Harris Eisenstadt and September Trio image
September Trio began at the invitation of Pedro Costa when he curated The Stone summer 2010. Their first recording (Clean Feed, 2011) ended up on numerous top ten lists. They're leaving for a ten-day Europe tour the day after this Cornelia concert, and recording the second record in Portugal at the end of the tour for a spring 2013 release.

"It’s unlikely that there’s ever been a CD quite like this one... the performances here are at a remarkably high level... tremendous cumulative power, testimony to Eisenstadt’s gifts as an orchestrator, whether composing or playing percussion."" --Stuart Broomer, New York City Jazz Record

$10 cover plus $10 minimum

Wednesday Sep 19
Hostess: Madeline Millán

The Pen American Women Writers image
The Pen American Women Writers are celebrating their 20th Anniversary and giving tribute to Ilsa Gilbert, coordinator of the monthly meetings.

$ 8 includes a drink

Teddy Klausner, piano;  Thomas Morgan, bass;  Jim Black, drums
Jim Black Trio image
Playing original music from their recently released cd "Somatic" on the Winter & Winter label. They recently started adding compositions by Paul Motian and remixes of jazz standards to their live repertoire.

After 12 years leading post-rock improv band AlasNoAxis, Jim Black goes in the absolute opposite direction, forming a new piano trio. "I wanted to have a band that could 'do anything, go anywhere.' Something very tactile, interactive, and could play music ranging from melodic songs to complicated forms to jazz standards, in our own way."

"Black’s new trio, debuting on Somatic, might surprise those familiar with his recent history, in that it forsakes electricity for his swinging take on the piano tradition. Black’s all original program retains his simple understated melodies, which here launch more lyrical jazz improvisations." --John Sharpe, The New York City Jazz Record

$10 cover plus $10 minimum

Sep 20
Norbert Hirschhorn Michael Tyrell
Poetry image
$ 8 includes a drink
Julian Shore, piano;  Sasha Dobson, voice;  Gilad Hekselman, guitar;  Shelly Tzarafi, voice;  Alexa Barchini, voice;  Phil Donkin, bass;  Tommy Crane, drums
Julian Shore image
Julian Shore’s compositions are based around the expansion and development of the beautifully simple. Memorable, honest and effortless, the songs flow with the organic freedom found in jazz, but with the clarity of intent one might find in a lullaby. With two dextrous singers carrying the melodic duties, the music glides and skips whether the songs feature lyrics or ephemeral vocalese. Teaming up with acclaimed guitarist Kurt Rosenwinkel, Shore’s new record “Filaments” depicts moments, memories and ideas in vivid imagery, while remaining unpredictable and full of humor. He will be celebrating the album’s release at Cornelia Street Cafe with a showcase of the music featured on the record as well as some new previously unperformed compositions.

“Gorgeous vocals float atop the rhythmic palette laid down by Shore [and the rhythm section]. He’s an extremely precocious [and] serious musician.” --JAZZIZ magazine

$10 cover plus $10 minimum

Sep 21
Kat Georges, host

Zev Torres, Featured Poet;  TK, Guest Poet
Son of Pony image
Open mic, arrive early to sign up.

$ 8 includes a drink

Ben Waltzer, piano;  Dwayne Burno, bass;  Gerald Cleaver, drums
Ben Waltzer Trio image
Brilliantly performed…very impressive. – Ahmad Jamal, jazz piano legend, of “100 Dreams Ago.” This no-nonsense jazz pianist in the Ellington and Monk vein gets a big, ringing sound out of the extreme registers of the instrument; he also takes a decisive stand against the ultra-sensitive, lush-harmony tendency of so many young jazz composers. – NY TIMES

$15 cover plus $10 minimum

Sep 22
Nacho Arimany, percussion

Rooted in the Mediterranean flavors of Flamenco, West Africa and South india, world-percussionist and multi-instrumentalist Nacho Arimany engages the jazzy forms of Cuban pianist Aruán Ortiz , the great taste and sensitivity of argentinean saxophonist Julio Botti along with Michael O'Brian's emotive bass lines in a colorful dialogue that brings an authentic approach to today's avant-garde music.

"Jazz and Flamenco may have crossed paths before, but Nacho Arimany brings a fresh approach with ideas that have yet to be discovered" ---- ALL ABOUT JAZZ

Nacho Arimany’s rich music career began at the age of six as a classical piano student and singer with RTVE Choir and National Orchestra of Spain. He has toured globally, and collaborated with artists from myriad musical traditions over the past 15 years. His debut Album Silence-Light, with his World-Flamenco Septet, including guitarist Lionel Loueke, was considered by All About Jazz one of the Top ten Jazz Albums of 2007, and has gained great reviews in France and Spain.

His performances as a flamenco percussionist have also been awarded and highly acclaimed in Spain and throughout Europe, alongside dancers Joaquin Cortés, Rafaela Carrasco, and Rocío Molina, among others. In 2010 he premiered with success an original duet in the US with Flamenco dancer Rafaela Carrasco at New York City Center's Fall For Dance Festival.

Nacho Arimany currently lives in New York City where he teaches principles of Healing with Sound & Music at the New York Open Center Music Institute, and Flamenco percussion master classes at NYU Steinhardt. He is recording and writing with artists such as Lizz Wright and Angelique Kidjo, and collaborating with La Mama Theatre in one of their newest productions: Nacho Arimany-Landscapes of the Soul, a multimedia show created and directed by Arimany that will premiere next October at La Mama-The Club Theatre.

$10.00 cover plus $10.00 minimum

Logan Richardson, alto sax;  Craig Taborn, piano;  Mark Helias, bass;  Nasheet Waits, drums
Nasheet Waits’ Equality is a band whose position and philosophy are revealed in the name. All members contribute material and have an equal responsibility for the execution of its content. The group’s first eponymous recording Equality was released in 2009 on the Fresh Sound label. The group included Jason Moran, Logan Richardson and Tarus Mateen. Equality has also been graced with the presence of Stanley Cowell, piano and John Hebert, bass. Whatever the personnel, a seamless nature exists. The goal simply is to offer creative music with energy and integrity.

$10 cover plus $10 minimum

Nasheet Waits' Equality Band image
Sep 23
Matthew Aucoin, piano, poetry
Matthew Aucoin: Recital and Reading image

Composer, poet, conductor, and pianist Matthew Aucoin will perform a recital/reading including -- but not limited to! -- his own compositions, his poetry, and his piano arrangements of everything from Verdi to Radiohead.

Matthew Aucoin is a composer, conductor, poet, and pianist. He is currently an assistant conductor at the Metropolitan Opera (The Tempest) and music director/composer-in-residence at the Peabody Essex Museum. A recent graduate of Harvard College, Matt's opera Hart Crane premiered this past spring at the Loeb Drama Center under his baton, and his opera From Sandover has been performed at Cornelia St. through the New York Composers' Collaborative; he is continuing his composition study at Juilliard. His poetry and prose has appeared in The Harvard Advocate, The Boston Globe, Plain China, and The Gamut. He recently made his symphonic debut with Boston's Longwood Symphony, and has served as music director of the Dunster House Opera and Opera Boston Underground as well as an assistant conductor/repetiteur at the Spoleto Festival, the Berliner Staatsoper, the Caramoor Festival, the Harvard-Radcliffe Orchestra, and the Boston Youth Symphony Orchestra.

$10.00 cover plus $10.00 minimum

Arun Ramamurthy, violin;  Neel Murgai, sitar;  Rashaan Carter, bass;  Sameer Gupta, drums, tabla
Carnatic Sundays: NAMASKAR by Sameer Gupta image
NAMASKAR is a fresh and innovative approach towards Indian, jazz and soul music, embodying the integrative spirit of our time. The ensemble combines well known compositions from the Indian Golden Era of Bollywood with North and South Indian ragas, and modern American jazz in all its diversity, to craft an irresistibly beautiful artistic statement. Percussionist Sameer Gupta, known as one of the few percussionists representing the traditions of American jazz on drumset, and Indian Classical music on tabla, leads a world-class ensemble featuring pianist Marc Cary, who adds an urban inflection with his vibrant acoustic piano and fender rhodes gliding effortlessly between jazz and Indian themes. Rounding out the ensemble are Carnatic violinist Arun Ramamurthy, sitarist Neel Murgai, and bassist Rashaan Carter.

$10 cover plus $10 minimum

Sep 24
Alissa Heyman, host

Kathleen Ossip Catherine Barnett Jasmine Dreame Wagner
Perfect Sense is a superbly curated poetry series, our thanks to Alissa.

$ 8 includes a drink

Charlotte Mundy, soprano;  Christopher Goddard, piano
Classical At The Cornelia: Early Works image

Soprano Charlotte Mundy and pianist Christopher Goddard perform Berg's Seven Early Songs and Piano Sonata Op.1, along with arrangements of early songs by Dirty Projectors' Dave Longstreth. Berg's early works, written at the turn of the twentieth century, straddle the boundary between romantic and modern music, and Longstreth's songs, written 100 years later, spring from the cracks between art and pop music.

Soprano Charlotte Mundy is a skilled interpreter of modern masterpieces and has premiered dozens of new compositions, many of them written specifically for her. Hailed by The New York Times as a "solid soprano soloist" for her performance of Stravinsky songs with the Tactus Ensemble, she has sung in forests, abandoned warehouses, and a hot tub/balnophone hybrid instrument on the bank of the frozen Rideau River. She recently performed at the Brooklyn Academy of Music with Judd Greenstein's The Yehudim and at Joe's Pub with Howard Fishman. Her operatic credits include creating the title role in Ondine by Izzy Gliksberg, and appearances with the Music with a View Festival, Luminato Festival, Toronto Masque Theatre and Opera York. She recently graduated from the Manhattan School of Music's Contemporary Performance Program, where she studied with Lucy Shelton.

Christopher Goddard is a Canadian pianist and composer currently based in New York City. As a performer and advocate of contemporary music, he has performed in dozens of premieres by his colleagues; his recent credits include collaborations with Columbia Composers and the 2012 Avant Music Festival, in addition to performances at Symphony Space, the Italian Academy of Columbia University, and other venues across New York. He performed with TACTUS, the contemporary music ensemble at the Manhattan School of Music, while studying with pianists Christopher Oldfather and Anthony de Mare. Previous piano studies took place with Nicole Presentey and Kyoko Hashimoto.

$10.00 cover plus $10.00 minimum

Sep 25
Alissa Fleck and Peter Longofono, hosts

Sarah Stetson, Queens College;  Johnny Chinnici, New School;  Sophia Starmack, Sarah Lawrence;  Christine Reilly, Sarah Lawrence;  Joshua Daniel Edwin, Columbia

On the fourth Tuesday of every month, new hosts Alissa Fleck and Peter Longofono showcase a group of promising poets selected from New York City MFA programs. Each month's readers are carefully chosen to strike a balance between experimental and traditional form; exploratory and interior character; and declarative and intuitive voice. The series functions as a dialogue between programs, a welcoming venue for developing talent, and a means for new alumni to establish their connections and craft beyond the MFA. Come hear NYC's next poetic generation in a uniquely generative peer environment!

$8.00 includes a drink

Leif Arntzen, trumpet;  Ryan Blotnick, guitar;  Landon Knoblock, piano;  Michael Bates, bass;  Jeff Davis, drums
Continuous Break - The Leif Arntzen Band image
The Leif Arntzen Band is pleased to announce the pre-release of their new record “Continuous Break” (Gwendoline). The record features recordings from the band’s Cornelia Street NYC studio sessions, and the band will be re-visiting the compositions live at the Cornelia Street Cafe NYC.

$10 cover plus $10 minimum

Drum kit donated by

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Cover is given where known
Many spoken words events are free
There is always a one-drink minimum per set; times are door opening times