See the previous week's performances.  August 08-August 15, 2009 See the next week's performances.

See the previous week's performances. August, 2009 See the next week's performances.
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* Cover is given where known

* There is a one-drink
minimum per set
* Reservations for shows downstairs can only be made by phone:


Aug 08
Maria Lisella, Gil Fagiani, hosts

Italian American Writers Association, featured readers are: TBA, plus open mic, 5 minute limit.
 Cover $7 (includes one house drink)
Frank Kimbrough, piano
Piano festival: Frank Kimbrough image
Pianist/composer Frank Kimbrough has been active on New York’s jazz scene for nearly twenty-five years. He is a founding member and composer-in-residence of the Jazz Composers Collective (est. 1992). His work has been cited by the Downbeat Critics Poll each year since 2001, and he has appeared on Marian McPartland’s Piano Jazz and NPR’s All Things Considered. Frank has released over a dozen recordings as a leader, and has appeared on nearly forty more as a sideman. His most recent CD, Lullabluebye (Palmetto) spent 8 weeks at #2 on the CMJ Jazz Charts in 2004. He has toured extensively, with appearances in the US, Canada, Brazil, England, France, Spain, Portugal, Germany, Austria, Switzerland, Italy, Denmark, Sweden, Finland, and China. Frank’s work has received funding from Meet the Composer, The National Endowment for the Arts and Chamber Music America’s Doris Duke Jazz Ensembles Project. Along with Ben Allison, he co-leads the Collective’s Herbie Nichols Project. As a sideman, he has been a member of the Grammy-winning Maria Schneider Orchestra since 1993, and has also toured and recorded with saxophonists Dewey Redman and Lee Konitz, and with fellow JCC composers-in-residence Ben Allison, Ted Nash, Michael Blake, and Ron Horton, among others. Play, his latest CD featuring drummer Paul Motian and bassist Masa Kamaguchi was released in May 2006 on Palmetto to great acclaim.
 Cover $10
Dan Tepfer, piano
Piano festival - Dan Tepfer, solo piano: Variations on the Goldberg Variations image
Dan Tepfer, solo piano -- The Goldberg Variations, with variations by J.S. Bach and improvised variations by Dan Tepfer

Dan Tepfer, an acclaimed jazz pianist who was recently called 'remarkable' by the Washington Post and praised for his "brilliant career" in the New York Times, has been studying J.S. Bach's classic work, the Goldberg Variations, for a number of years, mainly, as he puts it, "for fun". In the past six months, however, starting with a solo tour through the Czech Republic and France, he has been performing them in public, and -- as befits a musician whose career has been built mainly within the contemporary jazz world -- incorporating improvisation into the mix. The project is unique because, while other musicians have either played the Goldbergs as they were written or transformed them completely, Tepfer does both, playing each variation as it was intended, and only then giving his own, improvisatory take on each. In past performances, Tepfer has succeeded in staying strongly connected to the initial work, while simultaneously allowing himself to move away and explore contemporary musical ideas, all through Bach's prism. We get a free-flowing, personal view of Bach, but we also get Bach's word to come back to after the storm.

Cover $10, $6 if you saw the previous show

Aug 09
Dan Kaufman, piano;  Clark Sommers, bass;  Tommy Crane, drums
Piano festival: Dan Kaufman Trio image
Dan Kaufman has emerged as a leading and promising young voice in jazz piano. Dan's playing is adventurous and dynamic while firmly rooted in the jazz tradition. As a versatile and sensitive sideman , he has performed for audiences around the world, with many of the most prominent figures in jazz. From Jimmy Heath, Wynton Marsalis, Christian McBride and Mark Turner.

Kaufman began classical piano studies at age four. and shortly was working professionally in his home town Chicago's jazz scene since his early teenage years. He then attended the New England Conservatory, where he studied with Fred Hersch and Danilo Perez. He joined the Grammy Nominated group, The Either/Orchestra, and quickly became on of the most in demand young talents on the Boston scene, working extensively with Jeremy Pelt, Miguel Zenon, and Bob Moses among others.

After a brief stint as a member of the highly selective Thelonious Monk Institute of Jazz, Kaufman moved to New York to attend the Juilliard School on a full scholarship for the inaugural class of jazz studies where he studied with Kenny Barron.

Since finishing Kaufman has established himself as an in demand pianist in New York, joining the working bands of Donald Harrison, Ben Wolfe, Wycliffe Gordon, Rodney Green, and Dominck Farinacci. He also works regularly for many of the worlds top jazz vocalists including Nnenna Freelon, Kevin Mahogony, Robin McKelle, Allan Harris, Gretchen Parlato and Marilyn May
 Cover $8

Randy Ingram, piano;  Orlando LeFleming, bass;  Kendrick Scott, drums
Piano festival: Randy Ingram Trio image
Randy Ingram is a thoughtful, versatile young pianist, composer and improviser, with an expressive touch and a keen imagination. SInce moving to Brooklyn in the fall of 2003 he has become an in-demand sideman and band leader and gained a reputation as one of the most promising up-and-coming pianists of his generation. His debut record, "The Road Ahead", will be released this October on the Brooklyn Jazz Underground label, and features his trio of Matt Clohesy (bass) and Jochen Rueckert (drums), as well as special guest John Ellis (saxophones).

Originally from Laguna Beach, CA, Randy received a scholarship to the University of Southern California and quickly became a fixture on the Los Angeles jazz scene, apprenticing with Tierney Sutton, Joe LaBarbera and the great Billy Higgins. Upon graduating, he received another scholarship to get his Masters' degree at the New England Conservatory in Boston, MA, where he studied with his two mentors, Fred Hersch and Danilo Perez. Upon arriving in NYC he has recorded and performed with Ben Monder, Kate McGarry, Joel Frahm, Joe Locke, Mike Moreno and Kendrick Scott. He has performed at many of the best jazz clubs in the country, including Birdland, the Jazz Standard, Regattabar and the Catalina Bar and Grill. He is a recipient of the 2007 ASCAP Young Jazz Composer's award.

“...Gracious playing" --Andrey Henkin, All About Jazz

“An Incredible pianist" --Legendary composer George Russell

“...A superb pianist" --Joe Montague, Jazz
 Cover $10

Jesse Stacken , piano;  Kirk Knuffke, cornet
Piano festival: Jesse Stacken-Kirk Knuffke duo image
Pianist Jesse Stacken and trumpeter Kirk Knuffke have been playing together in the duo format for over two years. The duo has played concerts around New York City at venues including the 5C café, Biscuit BBQ, and the Bloomingdale School of Music. They began working through the compositions of Thelonious Monk, looking for ways to approach the tunes that showcase the duo format. They soon expanded the material to include Ellington tunes as well as a few by Steve Lacy, Misha Mengelberg Carle Bley, Lennie Tristano, and Charles Mingus.. The duo will release an album on Steeplechase records in the fall of 2009, entitled Mockingbird. Stacken and Knuffke have also played together in many other working ensembles, including the improvisational group No Truck.
 Cover $10   www,
Aug 10
Luiz Simas, piano, vocals
Luiz Simas  image
Brazilian composer/pianist/singer Luiz Simas returns to Cornelia Street Cafe

Growing up in the Rio de Janeiro neighborhood of Ipanema in the 60's, Luiz Simas was smack in the center of the bossa nova universe, where Jobim and João Gilberto ruled. He played in countless jam sessions with some of the greats, and signed his first major record deal he was only 18. He went on to become one of Brazil's most respected musicians. Luiz moved to New York in 1989 where he became very prominent in the Brazilian jazz scene. He's performed all over the US, in Europe and in Brazil. According to Keyboard Magazine, his playing is "sassy, clear, vibrant, yet understated” “his music fresh, smart, and witty".

In this solo show at Cornelia's, Luiz will be playing many of his own chorinhos and other original tunes, as well as pieces by Jobim, Nazareth, Villa-Lobos and other great Brazilian composers. Also included in the program is a Gershwin favorite played with an intoxicating Brazilian flair.

Pianist Judy Carmichael raves that "Luiz Simas is not only a wonderful musician, singer and composer, he is an engaging performer who draws his audience into his witty, joyful, sensuous musical world. Simas epitomizes the fantasies we non-Brazilians have about that wonderful country, and with him, we all get to be Brazilian, at least for the a couple hours!"
 Cover $10

Jed Distler, curator

William Komaiko, piano
piano festival: William Komaiko image
A rare appearance by William Komaiko, whose multi-leveled virtuosity and deep musicianship has long commanded admiration and respect among his colleagues. Komaiko has a double background in jazz and classical performance. In this regard his music is cited for "Bautiful shifting colors - like a Calder mobile" (Leighton Kerner, The Village Voice) with pianist comparisons: "Ahmad Jamal, Glenn Gould, Thelonius Monk" (John S. Wilson, The New York Times). Komaiko's concert music has been presented by conductors and organizations including Pierre Boulez, Paul Dunkel, Christian Badea, The Ravinia Festival, as well as a recent performance of Rhapsody in Blue matched with an improvisation set for Minneapolis PBS Television, and a premiere for the National Symphony Orchestra - where Komaiko was simultaneously commissioned as composer/piano soloist/ and conductor in honor of The 25th Anniversary of the Kennedy Center. Komaiko has appeared extensively as jazz soloist, group leader at such New York City venues as Serious Fun at Lincoln Center, The Village Vanguard, American Ballet Theater at the Metropolitan Opera House. Komaiko was educated at The Juilliard School, where he received The George Gershwin Memorial Prize. He has served on the faculties of The Juiliiard School, Sarah Lawrence College, and Princeton University.
 Cover $10
Aug 11
Jed Distler, curator

Sachiko Kato, piano;  Taka Kigawa, piano
Sachiko Kato and Taka Kigawa team up for an evening of solos and duos, including Satie’s Three Pieces in the Shape of a Pear, Poulenc’s Sonata and Beethoven’s own four-hand arrangement of his gnarly Gosse Fugue for String Quartet.

A winner of the Frinna Awerbuch International Piano Competition and the Pro-Piano Recital Series Audition, Sachiko Kato has performed extensively both as a soloist and chamber musician throughout the United States and Japan ever since making her debut at Carnegie Hall's Weill Recital Hall in 1994. She also is artistic director of the critically acclaimed New York concert series Weaving Japanese Sounds.

Taka Nigawa has garnered a formidable reputation for his sharply honed technique and unusually wide repertoire, and won the praise of difficult-to-please former New York Times critic Paul Griffith for performing Pierre Boulez’ Third Piano Sonata by memory.
 Cover $8

Jed Distler, host

Joshua Fried, electro stuff;  Jed Distler, piano
piano festival: Composers Collaborative Special image
"No Soap Radio Wonderland," starring Joshua Fried's live electronics, steering wheel and shoes, with Jed Distler at the piano

Joshua Fried’s Live FM radio boombox, steering wheel, shoes and laptop merge into recombinant funk and rhythmic text twisting, partnered by Jed Distler, acoustic and unplugged at the Yamaha grand. If you close your eyes, you’d be hard pressed to determine who’s playing what.

“RADIO WONDERLAND is me, Joshua Fried, performing solo live sound processing by drumming on old shoes (I'm a drummer) and manipulating a steering wheel (I'm a, er, wheel player). RADIO WONDERLAND turns live commercial FM radio into recombinant funk.

All the sounds originate from an old boombox, playing radio LIVE. Nothing is pre-recorded; anything picked up during the performance is fair game until the end. All the processing is by custom software I wrote in the MaxMSP programming environment. But I hardly touch the laptop. My controllers really are a vintage Buick steering wheel, old shoes mounted on stands, and some gizmos. You'll hear me build grooves, step by step, out of recognizable radio, and even UN-wind my grooves back to the original radio source.

I walk on with a boom box, playing FM radio LIVE. Once onstage, I plug it into my system and start slicing up radio. I arrange those slices both rhythmically, and, by playing them at different speeds, melodically as well, all according to what I hear. I call this process the RE-SHUFFLER. With another algorithm, which I call my RE-ESSER, (studio nerds will recognize this as a joke on de-esser), I isolate the sibilance, so I can compose on the spot with those S, T, K, Sh, etc. sounds, just like programming a drum machine. The ANYTHING-KICK morphs a bit of radio in the direction of a kick drum.”
 Cover $8

Jed Distler, curator

Anna Smirny Taka Kigawa Luis Andrei Cobo Joseph Pehrson
New and provocative keyboard fare with pianists Anna Smirny, Luis Andrei Cobo, Taka Kigawa and Joseph Pehrson. Works include Alexander Kataenko’s Visions of the Blind, Luis Andrei Cobo’s Slow Motion, Joseph Pehrson’s Prudendurance, Alvin Brehm’s By the Numbers, and Gene Pritsker’s Dissecting Rembrandt for one piano eight hands. Expect a few surprises along the way
 Cover $8
Jed Distler, curator

Kirk Nurock, piano
Composer-pianist Kirk Nurock is refreshingly hard to pin down. He arranged for both Dizzy Gillespie and Leonard Bernstein, orchestrated for Meredith Monk composed a work for 20 voices and 3 canines (which he conducted at Carnegie Hall) and won a scholarship at age 16, awarded by Duke Ellington. Now a veteran of 30 years in the music world, Nurock makes a rare NYC solo foray this evening. For the full picture of his rich musical life, visit
 Cover $8
Aug 13
Jed Distler, curator

Matt Aucoin, piano;  Jed Distler, piano
Beethoven’s Ninth Symphony for piano duet.

Matt Aucoin and Jed Distler, piano four hands

Before recordings and radio, the piano was the home entertainment center, where family members and friends gathered to play through thousands of symphonic, chamber, choral and opera works available in piano duet arrangements. Tonight guest curator Jed Distler and the remarkable 19-year-old composer/pianist/opera coach Matt Aucoin “de-orchestrate” Beethoven’s groundbreaking Symphony No. 9 in D Minor Op. 125. Although we have no vocal soloists and chorus, audience members are welcome to sing along.
 Cover $8

Frank LoCrasto, piano, Prophet 5;  Josh Mease, vocals, bass, guitar, Juno 60
Piano festival: Frank LoCrasto-Josh Mease image
Frank LoCrasto, has been hailed by the New York Times as "a pianist-composer of modernity and promise." While studying at the New Schools jazz program, he began turning heads as pianist for the acclaimed trumpeter Jeremy Pelt. He has also racked up credits with the likes of Pat Martino, Wallace Roney, Greg Osby, Nicholas Payton and more. In 2006, he debuted as a leader with the stirring Maxjazz album When You're There, revealing influences that span the jazz and modern pop landscape.
Nikolaj Hess, piano;  Mikkel Hess, drums;  Cameron Brown, bass
Nikolaj Hess Trio

Danish pianist Nikolaj Hess,/b> has often been heard in quartet settings like Global Motion, but has a growing reputation as a trio pianist as well, not least in Europe. Here he plays with his New York pianotrio featuring his brother Mikkel Hess on drums, displaying their almost telepathic, precise, abstract and playful communication and interplay, and their hypnotic swing and virtuosity.

The repertoire will be a mix of originals by Hess, and a couple of standards both from the danish folk tradition and the great American songbook.

The music of Hess is an original mix of the beautiful Scandinavian lyricism and simplicity and a strong influence from American jazz and the complex and spellbinding rhythms of African music.

Nikolaj Hess won the RAI competion best young European jazzpianoplayer when he was 22, and gold medal in Berlingskes Rytmiske musikkonkurrence. He has been very succesful on the European Jazz scene the past many years, and is now based in New York, getting a growing recognition on the scene here, also from his collaboration with dutch sax player Marc Mommaas in the band Global Motion, in the Hessismore band, Nikolaj Hess Trio and others. NH has also worked with Lee Konitz, Chris Cheek, Greg Hutchinson, Ben Allison, Benny Golson, Fela Kuti, Robert Wilson, Marilyn Mazur, Palle Mikkelborg, Caroline Henderson, Robert Wilson, Hal Wilner, Christian McBride Jay Anderson and many others.

Aug 14
Jed Distler, curator

Jung Lin, piano;  Jed Distler, piano
Jung Lin and Jed Distler - Simeon ten Holt's Canto Ostinato, version for piano duet

If you missed the New York premier of Simeon Ten Holt’s minimalist manifesto Canto Ostinato with four pianos this past June 21st, outdoors on Cornelia Street (, pianists Jung Lin and Jed Distler offer its piano duet version as an encore. Imagine Philip Glass and Sergei Rachmaninov’s love child, and you’ll have an idea of what this epic, mesmerizing and touchingly lyrical music sounds like. Better still, come hear Jung and Jed and find out for yourself!

Acclaimed for her poetic and virtuosic pianism. Taiwan born Jung Lin conducted her own orchestral works at age 12, won numerous competitions in her native country, and was featured on Taiwan’s major news program “90 minutes.” At sixteen her symphonic poem, “The Black Wedding” was given its premiere by the Juilliard Symphony under Miguel Harth-Bedoya. While at Juilliard Ms. Lin studied composition with the renowned American composer David Diamond, and for six years, piano with the Martin Canin . In 1999, the 150th anniversary of Chopin’s death, she was heard at such prestigious venues as the International Keyboard Institute and Festival, the Summit Festival, and the Kosciuszko Polish Foundation. Other recent New York appearances have included the Metropolitan Museum of Art, Bargemusic, and the International Keyboard Institute and Festival. She recently recorded solo works of Medtner for Naxos, and maintains a lively website

Since 2004 Jed Distler has hosted ComposersCollaborative’s Serial Underground at Cornelia Street Café, a new music variety show each second Monday of the month Called “an altogether extraordinary pianist” by the Newark Star-Ledger, Jed’s recitals have taken him back and across the US and Europe. He recently was featured in a BBC documentary on the Joyce Hatto scandal, which he helped expose in 2007 For everything you’ve always wanted to know about Jed, visit the ComposersCollaborative website , or read his CD reviews via and .
 Cover $8

Jacob Sacks, piano;  Yoon Sun Choi, voice;  Russ Lossing, piano;  Mat Maneri , viola;  Hankus Netsky, piano;  Marty Ehrlich, woodwinds
Piano festival - duos image
9PM Jacob Sacks/Yoon Sun Choi
10PM Russ Lossing/Mat Manieri
11PM Marty Ehrlich/Hankus Netsky

9PM Jacob Sacks/Yoon Sun Choi
Jacob will play a small solo set, and thereafter, with vocalist Yoon Sun Choi, new works based on poems by emily dickenson

“Choi and Sacks are not the typical duo,” declared AllAboutJazz- New York’s Andrey Henkin after a live performance of this music at Manhattan’s intimate 5C Café. “Choi effortlessly mixes tradi- tional jazz vocals with a sultrier approach or the gymnastics of the avant garde. Sacks never plays the straight man, abstracting the melodies enough to keep each turn interesting.”

Yoon Sun Choi
Ms. Choi, a native of Toronto, is a performer, composer and educator who has lived and worked in New York since 2000. Since that time she has worked with such internationally renowned musicians as Cameron Brown, Steve Coleman, Mark Dresser, Joe Maneri and Kenny Werner. A classically trained pianist turned vocalist, her eclectic resume also includes projects ranging from jazz opera to improvised music theater to microtonal vocal music. In addition to her eight year-old duo with Sacks, she currently leads/co-leads 4inObjects, The E-String Band, The Restless Spirits and The Joe Raposo Project.

Jacob Sacks
A 1999 Thelonious Monk Competition finalist and former Presidential Scholar in the Arts, Sacks is a pianist who has performed with Terumasa Hino, the Mingus Big Band, Tony Malaby, Ben Monder, Angelica Sanchez and Matt Wilson among many others. His most recent release is 2007’s Two Miles A Day (Yeah Yeah Records/Loyal Label), featuring Mat Maneri, Paul Motian and Eivind Opsvik.

10PM Russ Lossing/Mat Manieri

Russ Lossing
American jazz pianist, composer and recording artist Russ Lossing is on the leading edge of the New York jazz scene where he is known for his highly personal and unique improvising voice. Lossing has composed over 300 works, 21 film scores, and has an international reputation as a world class improviser. Paul Motian, Dave Liebman and John Abercrombie are among the many musicians he has performed and recorded with. Lossing has seven releases as leader on Hat Hut, Clean Feed, Fresh Sound, Double Time and OmniTone record labels. His critically acclaimed new solo piano release “All Things Arise” on Hat Hut Records “bridges the worlds of jazz and new music, the pieces feeling as if they arise out of the primal silence of the universe. Even the ‘standards’ feel as if they’re emerging newly formed from a magnificent world of thought and impulse. Lossing’s ‘As It Grows’ on hatOLOGY with Paul Motian and his Clean Feed Records cd ‘Metal Rat’ with Mat Maneri and Mark Dresser have been hailed as “modern masterpieces that blend improvisation and composition seamlessly.”

“Russ Lossing is a pianist of extreme depth and intensity with playing of amazing dexterity and a feeling of total control.”
– All About Jazz

Mat Maneri
Mat Maneri has recorded with Cecil Taylor, Matthew Shipp, Joe Morris, Joe Maneri, Gerald Cleaver, Tim Berne, Borah Bergman, Mark Dresser, William Parker, Michael Formanek, John Lockwood, as well as with his own trio, quartet, and quintet. He has also played on various band releases: Club d'Elf, Decoupage, Brewed by Noon, Paul Motian's Electric Bebop Band, Buffalo Collision. Maneri has worked with Ed Schuller, John Medeski, Roy Campbell, Paul Motian, Tomasz Stanko, Robin Williamson, Drew Gress, Tony Malaby, Ben Monder, Barre Phillips, Joëlle Léandre, Marilyn Crispell, Craig Taborn, Ethan Iverson, David King and many others. Maneri has released recordings on labels such as Thirsty Ear, HatHut and EC 11PM Marty Ehrlich/Hankus Netsky

Marty Ehrlich
Marty Ehrlich is one of the most celebrated artists of his generation, critically acclaimed as both composer and player. Equally fluent on clarinet, saxophone, and flutes, Ehrlich was awarded a Guggenheim Foundation Fellowship in Composition in 2004. His diversity has taken him to stages across the world from Israel to London to New York City to California. Marty’s latest recording on Palmetto Records, “Spark!” is a duo outing with pianist Myra Melford that was included in the 2008 DownBeat Critic’s Poll for “Album of the Year”. Marty is also a Professor of Music at Hampshire College.
-more info

Hankus Netsky
A multi-instrumentalist, composer, scholar and educator, Hankus Netsky is chair of the Contemporary Improvisation Department at the New England Conservatory in Boston and founder and director of the Klezmer Conservatory Band, America’s premiere klezmer and Yiddish repertory ensemble. He has composed extensively for film and television, and collaborated closely with such artists as Robin Williams, Joel Grey, Theodore Bikel and Itzhak Perlman. He has produced numerous recordings, including ten by the Klezmer Conservatory Band.

Cover $10 per show, two for $16, three for $25

Aug 15
Chris Sullivan, guest host

Christopher Dean Sullivan , bass;  Joe Giardullo , reedist;  Golda Solomon, special guest poet
Bass Artisan Christopher Dean Sullivan & Multi-Reedist Joe Giardullo In an Evening of Improvisation

Bass Artisan Christopher Dean Sullivan is a highly versed bassist of many musical languages: reggae, Caribbean, Indian, African, and Eurocentric perceptions and more. Chris is well traveled throughout the U.S., the Caribbean Islands and Europe. He has shared the stage and / or recorded with Freddie Hubbard, Jeff “Tain” Watts, Joe McPhee, Sonny Simmons, Yusef Lateef, Horace Parlan, Archie Schepp, Joe Lovano, Roy Campbell Jr., to name a few, and led his own ensembles as well. Christopher Dean Sullivan's approach is heartfelt and is accessed first of all by intensive listening to the elemental structure of a composition, to the soul of his fellow musicians, and to his own quest for the purest, more direct expression of sound and feeling.

Multi-reedist Joe Giardullo is one of the worlds’ foremost free and open instrumentalist within the American classical music art form. He has performed throughout the US, Canada and Europe with artists constituents Pauline Oliveros, Stuart Dempster, The Deep Listening Band, Joe McPhee, Steve Lacy, Carlos Zingaro, Milford Graves, Bill Dixon, Marilyn Crispell, Vinny Golia, Bobby Bradford, Thomas Buckner, and Lori Freedman, among many others, including Lester Lanin and Peg Leg Bates.

Poet Solomon...Think of it as Jack Kerouac revisiting the Mile High City and grabbing a sandwich at the New York Deli while in town. ~ Norman Provizer, Rocky Mountain News

 Cover $15 (includes one house drink)

George Colligan, piano;  Jon Cowherd, piano;  Eri Yamamoto, piano;  w/David Ambrosio, bass;  Ikuo Takeuchi, drums
Piano festival - solos - and a trio image
9PM George Colligan
10PM Jon Cowherd
11PM Eri Yamamoto Trio

9PM George Colligan

George Colligan is a New York based pianist, organist,drummer, trumpeter, teacher, and bandleader, who is one of the most original and compelling jazz artists of his generation .An award-winning composer (Chamber Music America/Doris Duke Foundation grant recipient) and player (winner, Jazz Competition), Colligan is highly in demand as a sideman, having worked with players like Cassandra Wilson, Don Byron, Buster Williams, and Lonnie Plaxico, both on the bandstand and in recording sessions (appearing on over 100 CDs). He has released17 recordings full of his intelligent writing and impressive technique.
-more info:

10PM Jon Cowherd
Jon Cowherd is on the cutting edge of today’s rogressive music movement. His artistic vision and passion takes on many different roles including pianist, composer, rranager, and producer. Perhaps most highly acclaimed for his work with the Brian Blade Fellowship (BBF), Cowherd’s continuum of texture, rhythm, and pure emotion is astounding and limitless.
--more info:

11PM Eri Yamamoto Trio

Eri Yamamoto, piano; David Ambrosio, bass; Ikuo Takeuchi, drums

Her regular working trio of longtime compatriots, bassist David Ambrosio and drummer Ikuo Takeuchi, Eri’s distinctly invigorating approach to the jazz trio and remarkable gift for indelible melodies
-more info:

Cover $10 per show, two for $16, three for $25

Drum kit donated by

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Cover is given where known
Many spoken words events are free
There is always a one-drink minimum per set; times are door opening times