* Cover is given where known
* There is a one-drinkminimum per set
* Reservations for shows downstairs can only be made by phone:212-989-9319
Paintings by MARY GROSSMAN
All art is for sale. Please inquire
People make up worlds out of bricks, molecules, words, thoughts. There's probably no better example than Entertaining Science itself--created 7 years ago when K.C. and Roald and Oliver and the Minister of Culture of this temple, Robin, concocted a program on the art and science of nothingness. (That in turn inspired the creation of yet another made-up world--KC's Categorically Not! series in Santa Monica--another story.) This is our reunion!
The constraints of the so-called “real world” seem limiting to people. But as the late physicist Frank Oppenheimer pointed out: There is no “real world” except as we make it up. Largely in response to his horror at the bombing of civilians in Hiroshima and Nagasaki, Frank created a “museum of human awareness” – the Exploratorium in San Francisco —a place where art and science allow people to discover that they can understand the complex world around them. Author and USC professor K.C. Cole will tell the story of the “other Oppenheimer” and the world he created, drawing on her new book: Something Incredibly Wonderful Happens: Frank Oppenheimer and the World He Made Up.
Neurologist and author Oliver Sacks will speak about how the brain, like nature, abhors a vacuum--and how, for instance, if there is no visual perception, as in the blind spot which all of us have, or in those who have lost their sight, the brain will create its own virtual reality by images or hallucinations. And Roald will ponder why we think up new molecules.
New music, new band.... Weaving sun light and green cells to make a tree rise and dance in the ear! Molecular maze, dance of the atoms, reed brass wood metal...
Critics have called Attias “a significant new voice on the alto saxophone” (Michael McCaw, AllAboutJazz.com) and “an emphatically cosmopolitan saxophonist and composer” (Nate Chinen, New York Times). The All Music Guide’s Scott Yanow adds, “His playing is both lyrical and explorative. While technically avant-garde, Attias does not neglect melodic development, close interplay with his sidemen, and swinging in his own fashion. ”
An Israeli-born son of Moroccan parents who was raised in Paris and the American Midwest, Attias has built a career as diverse as his background. Based in New York since 1994, he has led a variety of his own groups, worked as a sideman in many others and composed scores for theater and dance. He's performed and recorded with wide span of bandleaders such as Paul Motian, Anthony Braxton, Anthony Coleman, Butch Morris, Oliver Lake and many others. Upcoming releases include the second album of his trio Renku with John Hébert and Satoshi Takeishi as well as the debut of his quintet, Twines of Colesion, which builds on his trio with the addition of Tony Malaby and Russ Lossing. Both will be released in 2009 on the Clean Feed label.
Featured Teller: Rachel Rose Reid, award-winning Storyteller/Aural Alchemist from Across the Pond!
Cameo Feature: Jennifer Rawlings, award-winning "globe-trotting" Storyteller/Comic returns by popular demand!
FORMAT: Open Telling - no contest, no judging, just plain fun! (5-6 minute limit)
Followed by Featured Tellers
Rachel Rose Reid, Storyteller/Aural Alchemist: Merging ancient myth and legend, contemporary theatre and spoken word with her own modern urban point of view, she has performed at prestigious festivals and venues around the world, from her home base in London to as far away as Bankok, Thailand. She has collaborated with Darfuri refugees recreating folktales from their homeland and was the first storyteller to work with political theatre company Nabokov on their popular Present: Tense performance projects. ”Magical...all of London held its breath!” - Jumoke Fashola, BBC London Radio. This September, she comes to Cornelia Street directly from the Burning Man Festival in Black Rock Desert, Gerlach, Nevada!!
"Rachel Rose Reid…breaking through boundaries of storytelling, crashing through walls of spoken word, RRR delivers a treat for the senses,
and for the mind's eye.” Imogen Butler-Cole, Cutlery Bowl Productions, UK
Jennifer Rawlings, writer, comic, filmmaker, and self-proclaimed kick-ass mom of four, gives new meaning to the words "world traveler." A native of Salina Kansas, she has entertained our troops in over 300 military shows in Iraq, Afghanistan, Bosnia, Kosovo, Djibouti, Qatar, Kyrgyzstan, Kuwait, Korea, Kwajelean, Guam, Japan, Iceland and other countries. An award-winning story writer, Jennifer has written for numerous publications and television shows. This past spring she made her directorial debut in the film, "Forgotten Voices: Women in Bosnia." In addition, she is tickling the funny bone of folks across the country with her unique perspective on everyday life as a mom, comedian, and activist.
(includes one house drink)
Tonight's headliner is Al Lubel www.allubel.com
Nicholas Dawidoff, author of four books including The Fly Swatter, a Pulitzer Prize finalist. His latest book is The Crowd Sounds Happy: A Story of Love, Madness and Baseball. Nicholas writes for the New Yorker and teaches writing at Sarah Lawrence College.
**Freerange is a method of literary husbandry where the authors are permitted to write, read, and roam freely instead of being contained in any manner. The principle is to allow the writers as much freedom as possible, to live out their instinctual behaviors in a reasonably natural way, regardless of whether or not they are eventually killed for meat. In practice, there are few regulations imposed on what can be called "free range," and the term may be used misleadingly to imply that the writing product has been produced more humanely than it actually has been.**
(includes one house drink)
According to Grammy nominated pianist Jessica Williams, “If there is to be jazz in our future, it'll be because of musicians like saxophonist and composer Sarah Manning. She’s a player to listen to, starting right now.” This young artist has produced two albums of her original compositions and headlined top venues from Yoshi’s in Oakland, California to the Kuumbwa Jazz Center in Santa Cruz. On occasion, she can also be found busking in underground train stations. Manning’s last release, “Live at Yoshi’s: Two Rooms Same Door” (ArtistShare), led to a June 2007 profile in Down Beat Magazine. In the liner notes to her first album Nat Hentoff commented, “Sarah Manning can swing as naturally as she breathes…Manning plays – and writes – in what is unmistakably her own voice.”
At 10PM, tenor saxophonist Sean Nowell leads his group with Art Hirahara on piano, Thomson Kneeland on bass, Will Martina on cello and Joe Abba on drums. A tenor saxophonist and composer from Birmingham, Alabama, Nowell comes steeped in the southern traditions of blues, gospel, jazz, and funk - infused with the complex harmonic and world rhythmic concepts that permeate the music of New York City. They will be performing selections from his new release from Posi-Tone Records, “The Seeker".
"Originally from Birmingham, Alabama and influenced by the southern tradition of blues, gospel and jazz, tenor saxophonist and composer Sean Nowell unleashes his second project for the Posi-Tone Records with a command performance in a fiery passion-filled eight-piece barn-burner of a recording with “The Seeker.” Playing with the sophistication of a John Coltrane and the grace of a Lee Konitz, Nowell unfurls the sax for intense tenor work dominating the band and delivering an excellent session of straight ahead contemporary jazz elevating “The Seeker” to an elite category."
-Edward Blanco EJAZZ NEWS
With a double bill, Cornelia Street Cafe presents the opportunity to hear two artists with two very distinct voices, united in purpose by their quest to expand the boundaries of jazz
Witkowski is solid as a modern vocalist but exquisite as pianist and composer, in any context. -JazzPolice
Witkowski's playing is consistently thrilling, and her musical imagination seems boundless. -All Music Guide
Witkowski continues the work of Mary Lou Williams...this music is "healing to the soul." -Fr. Peter F. O'Brien,
Executive Director of the Mary Lou Williams Foundation
Originally trained as a pianist, Brenda Earle started singing in her early
twenties in an effort to better connect to her songs and audiences. As a
pianist, she has performed and/or recorded with Donny McCaslin, the Numinous
Ensemble, Dick Oatts, John Riley, Wycliffe Gordon and the DIVA Jazz
Orchestra. In 2007, Earle¹s piano playing was recognized when she was
selected as a finalist at the Mary Lou Williams Jazz Piano Competition. She
has performed at the Kennedy Center, the Ravinia Festival, the Clifford
Brown Jazz Festival, the Toronto Jazz Festival and in clubs and festivals
across the US, Canada and New Zealand. Earle¹s Sacred Voices Project
encompasses original settings of Psalms, the Catholic Mass, gospel music and
unique arrangements of spiritual works, which combine her diverse influences
which range from jazz to rock to Brazilian and classical traditions. Her
exciting and intriguing vocal writing features some of the top emerging
artists in New York City.
“…the first to stand out was pianist-singer Brenda Earle, whose talent
gracefully bridges jazz and pop.” – The Washington Post
“Her keyboard work throughtout embodies lyrical melody, deft harmonie and
smart pacing…” – The Toronto Star
Arrive before 6 pm to sign up.
Our intrepid host features herself on the occasion of her birthday.
"Jackie Sheeler is the People's Poet Laureate of NYC. I would not miss one of her shows for anything." — Bill DiFazio, WBAI radio 99.5 FM - NYC
Composer, singer, director/choreographer and creator of new opera, music theater works, films and installations, Meredith Monk is a pioneer in what is now called “extended vocal technique” and “interdisciplinary performance”. She creates works that thrive at the intersection of music and movement, image and object, light and sound in an effort to discover and weave together new modes of perception. Her groundbreaking exploration of the voice as an instrument, as an eloquent language in and of itself, expands the boundaries of musical composition, creating landscapes of sound that unearth feelings, energies, and memories for which we have no words. During a career that spans more than 40 years she has been acclaimed by audiences and critics as a major creative force in the performing arts. In short, Meredith Monk has created her own world, her own genre, her own music, uniquely.
Meredith Monk’s work is seemingly simple but poses musical and emotional challenges so complex and mysterious that others most often shy away from performing or re-contextualizing it. Meredith Monk’s musical catalogue is full of beauty and complexity, astounding accessibility, and stirring, often wordless feelings. Musical structures merge with emotional specificity and come to life best when discipline and freedom have a place to flourish. Jazz music, with its own “ying & yang” of structure and improvisation, is a close relative to Ms. Monk's aesthetic.
For over 15 years Theo Bleckmann and John Hollenbeck have been part of Meredith Monk’s close-knit Vocal Ensemble and are both acclaimed jazz performers who are genre-defying in their own rights. For Meredith Monk’s 40th anniversary at the Whitney Museum, Hollenbeck and Bleckmann put together “Future Quest,” a group of like minded musicians able to deal with the immense set of emotional and musical challenges at hand:
Pianist Gary Versace, whom Bleckmann and Hollenbeck perform with regularly in their collective, refuge trio, and with whom Bleckmann put together a duo evening of exclusively Meredith Monk’s music at Brooklyn Academy of Music (receiving a “Best of 2005” from New York Magazine), and saxophonists, Ellery Eskelin and Tony Malaby, both highly acclaimed improvisers, composers and soloists who truly understand Monk's discipline use of structure and sound.
Rarely has Meredith Monk’s (no relation to Thelonius Monk) music been placed in a jazz context with such care and understanding of her idiom. This is not only a tribute to her music but an opening of a door where her music can be taken to new places, encouraging an expansion of her legacy to many others.
John Domini has won awards in all genres, publishing fiction in Paris Review, Ploughshares, and anthologies, and non-fiction in GQ, The New York Times, and elsewhere, including Italian journals. The New York Times has praised his work as "dreamlike… grabs hold of both reader and character," and Alan Cheuse, of NPR's "All Things Considered," described it as "witty and biting."
Domini has worked as a visiting writer at many universities, including Harvard, Northwestern, and Grinnell. Italian publication for Earthquake I.D., is through the publishing house that first translated Don DeLillo's work, and it is one of five finalists for the distinguished Domenico Rea Prize, in Italy. A Tomb on the Periphery is under contract for translation in 2010.
Mark Saba grew up in Pittsburgh but his roots are in Sardinia. Initially he studied pharmacy at the University of Pittsburgh, but switched majors once he arrived at Wesleyan University where he began to write. During his graduate work at Hollins College, he won the Andrew James Purdy fiction award as well as an award from the Academy of American Poets.
Last year his novella, "Thaddeus Olsen," appeared in the anthology Desperate Remedies from Apis Books (UK). He is the author of a novel, The Landscapes of Pater, published by The Vineyard Press (NY, 2004), which follows the main character's question of identity to the island of Sardinia.
His poetry, fiction, and essays have appeared in literary magazines many anthologies worldwide, most recently Connecticut Review, Poetic Voices Without Borders 2 (Gival Press), Steam Ticket, and Feile-Festa.
Saba's epic poem, "Judith of the Lights," won an award from the Mellen Poetry Press and was published by them in 1996. Saba lives with his family in New Haven, where he works as a medical illustrator and graphic designer at Yale University.
(includes one house drink)
“Here is a string ensemble for the new century!” Donald Elfman, AllAboutJazz-NY
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Cover is given where known
Many spoken words events are free
There is always a one-drink minimum per set; times are door opening times